Welcome to the 11th review I’ve written on BodyPump by Les Mills International, and the first of the 70s series. Instructors in Europe and elsewhere may already have recieved DVDs, but launches won’t be for a few weeks yet, so the following is for participants. Forewarned is forearmed!
Warmup:
A gentle introduction into the release this time round. There’s nothing special here, and the chore is almost a perfect facsimile of release 69. Regardless, it gets the job done and we’re ready for the working tracks. Music: Don’t Leave me with the Light On – Danzel
Squats:
This is a fairly easy track by comparison to some of the recent releases. The chore is very similar to 69, with the bottom-half pulses recurring. However it is shorter at only 4 rounds, and there is only 1 set of bottom-halves after the second round. Pink contributes music for the second squat track in a row, however I didn’t find It’s All Your Fault as motivating as the Let’s Get This Party Started remix.
Chest:
This is where the release starts to get interesting. The new innovation for this track is a 4:4 slow range with a 2-count hold at the top. The key difference here, is that the hold is at 7/8ths of range rather than right at the top. This means you hold the bar under tension between the slow ranges which causes significant loading and accelerates fatigue. It is a good strategy and prevents people from taking too many rests. Otherwise the track contains just singles and bottom halves, so it is an unusual combination of very slow and very quick reps with little pace in between. This may sound complicated but the chore follows the music well: Infinity 2008 – Guru Josh Project
Back:
Nothing special this time round. The track is rather a spitting image of 67’s back track even down to the use of E-Type again with True Believer. It’s 4 standard rounds with a break after rounds 2 and 3. Perhaps Glen has been taking note of recent criticism as there are far fewer rows so this becomes less a test of forearm strength than previous releases. The pace of the track may seem quick, and there could be a tendency to rush the C&Ps but the pace is actually deceptively slow and there is more time to complete the reps than you might think.
Triceps:
Time to ditch the bar for another track with just free weights (as we last saw with 68). We get alternating tricep press-ups and kickbacks to start with. There are plenty of push-ups this time with varying paces, but no singles, so time under tension is the key again. To finish there is a short set of overhead extension singles. I didn’t find this track especially challenging so there is potential to review weights carried and ensure that technique is spot-on. Music: Keeps Gettin’ Better – Christine Aguilera.
Biceps:
This is a short sharp shock of a track clocking in at only a little over 4 minutes. But don’t be deceived as it is not easy. There are 3 (almost) duplicate rounds with a break between rounds 2 and 3. This release we get both full-range and bottom-half singles as an added challenge, and I was certainly feeling it by the end of the last set. With an added pause in the final round, there is no reason why you shouldn’t be able to keep the same weight on as usual and enjoy that burn. Music: Gotta Be Somebody – Nickelback.
Lunges:
Now for the sting in the release. This track is an excellent example of the KISS approach. There may not be anything innovative, with this track comprising just static lunges and squats, but it certainly delivers a tough workout. We get 4 rounds with the lunges preceding squats for each half of the track. The rep type is fairly standard fare too with almost every pace combination represented. I found this quite tough mainly due to the sheer number of lunges, and noticed it most in my calves during the squats each time. The challenge is to do the squats properly with an effective ROM rather than just using it as active recovery. Music is a blast from the past with Raindrops – Stunt which samples Encore Une Fois by Sash! which controversially sampled Insomnia by Faithless.
Shoulders:
Another tough track, and one of the harder shoulder tracks we’ve had for a while. This is mostly due to us having to stick with lateral raises for 2/3rds of the track before moving onto bar work, so the deltoids become rapidly and progressively fatigued. This track also sees a welcome return for the Mac Raises as an additional challenge. The final round of upright rows and overhead presses finishes off the track nicely. We get Thunderstruck again (also seen in releases 49 [thanks gepl] and 22) but this time it is a cover by Hinder, rather than the AC-DC original.
Abs:
More innovation here, and a number of moves we’ve not done before. We start with a twisting leg extension – hips and knees at 90°, then twist to the side, the straighten the knees while keeping the hips flexed at 90°. This really works the oblique muscles hard and while you won’t feel the first few, this rep is repeated and starts to pull by the end. The next new move is a top-of-jackknife move. Bring your legs up so hips are flexed to 90° but knees are straight. Then, hold a weight up with straight arms and crunch up so that the weight moves towards your ankles. This again sounds easy, but becomes progressively more difficult with repetition. As if this wasn’t enough, we get some hovers as a final round. The twisting hover is back, but rather than keeping your hips static and just moving the upper body, this time we have to pivot seamlessly and quickly from a front- to side-hover. It is more difficult than it sounds and I found it put too much strain through my shoulders. A safer option would be to just twist the upper body as we did in 67, or alternatively hold a static side-hover. Overall, a tough track and a welcome return to form after some of the recent rather easy tracks from the 60s. Music: Love Lockdown – Kanye West.
Warm-down:
Again, nothing unusual here and we stretch out starting with legs before moving to the upper body. The music – If I Were A Boy – Beyonce – was unremarkable so this will not go down as one of the all-time greats.
Overall Impressions:
I liked this release and it is a nice balance of hard and easy tracks. I found the intensity increased sequentially as the release went on, with some of the early tracks (esp Squats) being a little soft. The lunges especially was a perfect example of getting back to basics to achieve a better workout than some of the recent experimental lunge tracks we’ve had.
I thought Shoulders was the weaker link in the release. Sure, it is challenging, but the isolation of deltoid work with rather too many lateral raises, wound up fatiguing some muscle segments while leaving others barely used. Perhaps a set of press-ups would have balanced out the track more. With these fatigued shoulders, I certainly felt it during the hover portion of Abs, and I have concerns that putting bodyweight through this joint in a twisting motion carries too high a risk of injury.
The music mix is certainly going to offer something for all and should please most. Hopefully in future releases we can leave E-Type behind and use some other artists, as their Back tracks are starting to get somewhat tedious both in terms of choreography and sound.
I’ll be interested to hear other people’s opinions on the new moves and whether you agree on which tracks are the more challenging. Over to you!